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7/4 (shoreline) It's a shoreline And it's half speed It's a cruel world and And it's time And you're walking away But where to go to? And you're walking alone, But how to get through? If you wanna get it right You can own what you choose But you wanna live a lie And love what you lose It's a shoreline And it's half speed It's a cruel world and It's time While you're walking away And I'm trying to get through But you've gotta know their lies From the lies they've told you If you try to do it up It all will leave you If you try to steal the beat The beat will steal you It's coming It's coming in hard It's coming It's coming in hard It's coming It's coming in hard It's coming It's coming in hard it's coming It's coming in hard It's coming It's coming in hard It's coming It's coming in hard It's coming It's coming in- It's a shoreline And it's halfspeed It's a cruel world And it's time It's coming It's coming in hard posted @ 03:11 PM CST [link]why are you always fucking ghosts? "The disc is disjointed, lacks much in the way of cohesive musical character, and ultimately never really reaches to be anything more than a bunch of decent songs held together in the semblance of an album." -- Peter Hepburn, Coke Machine Glow "But you wouldn't know that by listening to the 10-minute closing track, "It's All Gonna Break", essentially a one-song capsule of the record's sprawling indulgences with five endings tacked on to its last five minutes. The song, like the entire record, is the ultimate slab of fraudulent superfluity, covering up an absence of new ideas by recycling older ones." -- Zeth Lundy, Pop Matters "With its doomsday provocation of a title, the epic Springsteenian endcap "It's All Gonna Break" bursts forth with enough ideas to keep a lesser band productive for years. The song ecstatically encapsulates Broken Social Scene's heightened ambitions and flawed Icarus journeys, conflating into a bold, brash love-in infatuated with its own bumps and bruises." -- Ryan Dombal, Pitchfork Media "proving that everyone has an asshole and some people think their's doesn't stink; the über denouement to an album that completely eclipses You Forgot It In People by fully using both studio wizardry and improvisation. if you need one song to make you understand, then listen and read below. -- Brently Davenport, sellthekids it's all gonna break, it's all gonna break. when i was a kid, you fucked me in the ass but i took my pen to paper and i passed you know i love the shit cause the shit it tastes so good, i got pastures waiting in the woods. cause it's all gonna break, it's all gonna break. treat me like a sign, sounds like so/oh well i know times like these are the hell and when you do the tricks, the tricks look so good i got buried rumors waiting in the woods, and they try to climb awake and call me over, skies they rape and skies are sober minds they fake and minds rolled over it's good, it's good, it's good. i know that your dying, i know it's true, i know there's seven thousand things you rather be and rather do, and i know that you fuck what you love and you love what you fuck. i'll keep them out girl, i'll keep it true i'll do everything inside the skin of you cause i know that the sound of your heart is a god i can trust, like a man, not a boy i don't love i just fight with the violence in ourselves it's all gonna break it's all gonna break you all want the lovely music to save your lives you all want the lovely music to save your lives keep it coming there is no lie to save your life keep it coming this is the lie to save your life why are you always fucking ghosts? why are you always fucking ghosts? why? why? why are you always fucking ghosts? it's been such a long life that we trust your heart is a whore and love is just lust. you want what you can't and you can't cause of fear we've got to get out of here. why are you always... why are you always... why... why... why... why? posted @ 10:45 PM CST [link] |
